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  1. Topic
  2. Music

Music

Between the 18th and the 21st centuries, the musical transatlantic space has profoundly changed, raising important issues linked to the fixing processes and the alterations of musical traditions, as well as the writing of a history of music from a European and non-European perspective, integrating in various ways the music of "the Others". READ MORE

13 articles
Marc Lapprand
fr

Boris Vian, passeur d’Amérique

Boris Vian s’est révélé dans sa courte vie un formidable introducteur de la culture américaine en...

Marcia Tosta Dias, Cauê Martins
pt

Fonografia digital e circulação musical transatlântica

O artigo apresenta os principais processos envolvidos na produção e circulação da música gravada...

Jean-Sébastien Noël
fr en

Luigi Nono

During his travels in Latin America and the United States, the composer and Communist activist Luigi...

Emilia Chamone, Frederico Lyra de Carvalho, Carlos Sandroni
pt

Maracatus transatlânticos

Grupos típicos de Pernambuco, Brasil, os maracatus expressam através de música, dança e rituais,...

Lætitia Corbière
fr

Les Strakosch, les Maretzek et les Grau : imprésarios moraves à New York

L’histoire du concert américain s'inscrit dans l'histoire des migrations. Vers 1850, de jeunes...

Marcos Napolitano
pt en

Transatlantic Cartographies of Popular Music in the Americas

Popular music is frequently analyzed through national ‘musical genres,’ consecrated through specific...

Charlotte Bentley
en

Transatlantic operatic networks during the nineteenth century

This article explores operatic networks in the nineteenth century, with a focus on mobility between...

Ghislaine Arielle Nzouwe Nganso
fr en

Makossa

Born in Douala in the 1950s, and strongly influenced by Ghanaian highlife music, Congolese rumba and...

Chloé Huvet
fr en

From Europe to Hollywood, and back. The Classic Hollywood Film Score

How did migrations of composers from Central and Eastern Europe to the United States shape the sound...

Francisco Martinho
pt en

Amália Rodrigues in Africa

Amália Rodrigues (1920-1999) was responsible for the popularization of fado in her own country and in...

Fabio Guilherme Poletto
pt en

Bossa Nova & Latin Jazz

The article investigates the phenomenon of Bossa Nova, its most relevant aesthetic traces and the...

Caio Gomes
pt en

Nueva Canción

During the 1940s and 1950s, the arts became a symbolic battlefield and ‘folklore’ was understood as a...

Anaïs Fléchet
pt fr en

Gilberto Gil

“I knew that music would be my language and that I would discover the world through it.” From the ...

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