Les Collégiens de Ray Ventura, de l’imitation à l’hybridation
Les disques enregistrés par Ray Ventura et ses Collégiens à Paris au début des années 1930 interrogent...
16 articles
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Les années yéyé : des chansons américaines sous-titrées ?
Au début des années 1960, les chansons yéyé sont réputées responsables d'une irruption massive de...
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Concert Music in Brazil
Although Brazilian musical modernism had a strong nationalistic appeal, it was also a product of the...
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Boris Vian, inventor of America
During his short life, Boris Vian introduced American culture to France in his two favorite forms:...
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Fonografia digital e circulação musical transatlântica
O artigo apresenta os principais processos envolvidos na produção e circulação da música gravada...
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Luigi Nono
During his travels in Latin America and the United States, the composer and Communist activist Luigi...
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Maracatus transatlânticos
Grupos típicos de Pernambuco, Brasil, os maracatus expressam através de música, dança e rituais,...
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Les Strakosch, les Maretzek et les Grau : imprésarios moraves à New York
L’histoire du concert américain s'inscrit dans l'histoire des migrations. Vers 1850, de jeunes...
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Transatlantic Cartographies of Popular Music in the Americas
Popular music is frequently analyzed through national ‘musical genres,’ consecrated through specific...
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Transatlantic operatic networks during the nineteenth century
This article explores operatic networks in the nineteenth century, with a focus on mobility between...
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Makossa
Born in Douala in the 1950s, and strongly influenced by Ghanaian highlife music, Congolese rumba and...
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From Europe to Hollywood, and back. The Classic Hollywood Film Score
How did migrations of composers from Central and Eastern Europe to the United States shape the sound...
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Amália Rodrigues in Africa
Amália Rodrigues (1920-1999) was responsible for the popularization of fado in her own country and in...
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Bossa Nova & Latin Jazz
The article investigates the phenomenon of Bossa Nova, its most relevant aesthetic traces and the...
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Nueva Canción
During the 1940s and 1950s, the arts became a symbolic battlefield and ‘folklore’ was understood as a...
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Gilberto Gil
“I knew that music would be my language and that I would discover the world through it.” From the ...
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