“C’era un Ragazzo...Era un muchacho...Era um garoto...”: uma balada pop italiana e seus ecos...
“C’era un ragazzo che come me amava i Beatles e i Rolling Stones” gravada originalmente em italiano,...
“C’era un ragazzo che come me amava i Beatles e i Rolling Stones” gravada originalmente em italiano,...
Au tournant des années des années 1960 et 1970, un mouvement revivaliste a produit en Bretagne ce que...
Au début des années 1960, les chansons yéyé sont réputées responsables d'une irruption massive de...
During his travels in Latin America and the United States, the composer and Communist activist Luigi...
In the early 1930s, Ray Ventura and His Collegians recorded in Paris covers of hit songs from...
In the 1930s, Ray Ventura and his Collégiens established themselves as a model of French chanson,...
Studying vocal performance styles during his time in Europe during the 1950s, the US ethnomusicologist...
Although Brazilian musical modernism had a strong nationalistic appeal, it was also a product of the...
During his short life, Boris Vian introduced American culture to France in his two favorite forms:...
O artigo apresenta os principais processos envolvidos na produção e circulação da música gravada...
Grupos típicos de Pernambuco, Brasil, os maracatus expressam através de música, dança e rituais,...
L’histoire du concert américain s'inscrit dans l'histoire des migrations. Vers 1850, de jeunes...
Popular music is frequently analyzed through national ‘musical genres,’ consecrated through specific...
This article explores operatic networks in the nineteenth century, with a focus on mobility between...
Born in Douala in the 1950s, and strongly influenced by Ghanaian highlife music, Congolese rumba and...
How did migrations of composers from Central and Eastern Europe to the United States shape the sound...
Amália Rodrigues (1920-1999) was responsible for the popularization of fado in her own country and in...
The article investigates the phenomenon of Bossa Nova, its most relevant aesthetic traces and the...
During the 1940s and 1950s, the arts became a symbolic battlefield and ‘folklore’ was understood as a...
“I knew that music would be my language and that I would discover the world through it.” From the ...