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Clara Bouveresse
en

Was “American” Photography a European Invention?

This paper explores the dialogue between European and “American” photography from the end of the 1930s...

Manon Fabre
fr en

Ray Ventura and His Collegians: from imitation to a Franco-American hybrid

In the early 1930s, Ray Ventura and His Collegians recorded in Paris covers of hit songs from...

Anaïs Fléchet, Martin Guerpin, Philip Nord, Philippe Gumplowicz
fr en

Americanization through the Arts

This collection focuses on analyses of artworks and brings together articles that examine the...

Edward Berenson
fr en

Levitt-villes in France

In 1965, William Levitt, America’s largest home builder and creator of the famous Levittowns,...

Catherine Rudent
fr

Les années yéyé : des chansons américaines sous-titrées ?

Au début des années 1960, les chansons yéyé sont réputées responsables d'une irruption massive de...

Sébastien Carney
fr

Le revival de la musique bretonne : une déclinaison locale des contre-cultures américaines

Au tournant des années des années 1960 et 1970, un mouvement revivaliste a produit en Bretagne ce que...

Nicolas Hatzfeld
fr en

American Working Methods in Jacques Tati’s Films and on French Television

Jacques Tati’s films lampoon France’s fascination with the United States during the early postwar...

Yaniv Arroua
fr en

Haute-Vienne on U.S. time: the Americanization of a French Province in the 1930s

When, how and at what pace did a French province become Americanized? This article traces the arrival...

Marc Lapprand
fr en

Boris Vian, Inventor of America

During his short life, Boris Vian introduced American culture to France in his two favorite forms:...

Yannick Séité
fr en

Can One « Jazz » the French Language ?

The preface to Paul Morand’s collection Magie noire (1929) has been the subject of much discussion,...