Caio Gomes

pt en

Nueva Canción

During the 1940s and 1950s, the arts became a symbolic battlefield and ‘folklore’ was understood as a...

Fabio Guilherme Poletto

pt en

Bossa Nova & Latin Jazz

The article investigates the phenomenon of Bossa Nova, its most relevant aesthetic traces and the...

Marcos Napolitano

pt en

Transatlantic Cartographies of Popular Music in the Americas

Popular music is frequently analyzed through national ‘musical genres,’ consecrated through specific...

Anaïs Fléchet

pt fr en

Gilberto Gil

«Je savais que la musique serait ma langue et que je découvrirais le monde avec elle.» Du mouvement...

Marc Lapprand

fr en

Boris Vian, passeur d’Amérique

Boris Vian s’est révélé dans sa courte vie un formidable introducteur de la culture américaine en...

Francisco Martinho

pt en

Amália Rodrigues in Africa

Amália Rodrigues (1920-1999) was responsible for the popularization of fado in her own country and in...

Anaïs Fléchet, Marcos Napolitano, Jean-Sébastien Noël

en

Music

Between the 18^th and the 21^st centuries, the musical transatlantic space has profoundly changed,...

Emilia Chamone, Frederico Lyra de Carvalho, Carlos Sandroni

pt

Maracatus transatlânticos

Grupos típicos de Pernambuco, Brasil, os maracatus expressam através de música, dança e rituais,...

André Egg

pt en

Concert Music in Brazil

Although Brazilian musical modernism had a strong nationalistic appeal, it was also a product of the...

Pierre Fargeton

fr en

Ray Ventura, le jazz et la chanson française: une américanisation à double entente

Dans les années 1930, Ray Ventura et ses Collégiens s'imposent comme un modèle de chanson française...