Monica Bravo

en

Modernist Photography in Mexico: Networks of Migration

As active participants in the Mexican cultural renaissance, Edward Weston, Tina Modotti and Manuel...

Erin Nolan, Emily Voelker

en

Reading Across American and Ottoman Archives: Diplomacy and Photography in the Nineteenth...

Album exchanges between American and Ottoman powers (c.1880-1910) reveal a networked history of...

Clara Masnatta

en

Gisèle Freund: The Life of a Story-Teller with Camera, Retold

This re-appraisal of Berlin-born, French-naturalized, Jewish photographer and sociologist Gisèle...

Clara Bouveresse

en

Was “American” Photography a European Invention?

This paper explores the dialogue between European and “American” photography from the end of the 1930s...

Jürg Schneider

en

Circulating West-African Photographs in the Atlantic Visualscape

In the second half of the 19th century, photographs circulated widely in a triangular region...

Carolin Görgen

en

Vienna to San Francisco via Chicago: Camera Club Exchanges in the 1890s

Elitist organizations such as the Linked Ring Brotherhood and the Photo-Secession were not the only...

Didier Aubert

en

Modernist Photography in Mexico: Modotti’s Letter

Photography reinvented itself in Mexico between the two World Wars, through numerous exchanges between...

Jan Baetens

fr en

Le roman photo : un genre latin

Genre longtemps méprisé, le roman-photo a été l’un des formats médiatiques les plus populaires de la...

Clara Bouveresse

fr en

Agences photographiques

Les agences photographiques se sont développées avec la montée en puissance des magazines illustrés en...

Jonathan Dentler

en

Wire Photography and Transatlantic Visual Culture

Beginning in the 1920s, wire photography services used a technology similar to a fax machine to send...