Monica Bravo

en

Modernist Photography in Mexico: Networks of Migration

As active participants in the Mexican cultural renaissance, Edward Weston, Tina Modotti and Manuel...

Erin Nolan, Emily Voelker

en

Reading Across American and Ottoman Archives: Diplomacy and Photography in the Nineteenth...

Album exchanges between American and Ottoman powers (c.1880-1910) reveal a networked history of...

Clara Masnatta

en

Gisèle Freund: The Life of a Story-Teller with Camera, Retold

This re-appraisal of Berlin-born, French-naturalized, Jewish photographer and sociologist Gisèle...

Clara Bouveresse

en

Was “American” Photography a European Invention?

This paper explores the dialogue between European and “American” photography from the end of the 1930s...

Jürg Schneider

en

Circulating West-African Photographs in the Atlantic Visualscape

In the second half of the 19th century, photographs circulated widely in a triangular region...

Jan Baetens

fr en

Le roman photo : un genre latin

Genre longtemps méprisé, le roman-photo a été l’un des formats médiatiques les plus populaires de la...

Jonathan Dentler

en

Wire photography and transatlantic visual culture

Beginning in the 1920s, wire photography services used a technology similar to a fax machine to send...

Carolin Görgen

en

Vienna to San Francisco via Chicago: Camera Club Exchanges in the 1890s

Elitist organizations such as the Linked Ring Brotherhood and the Photo-Secession were not the only...

Erin Nolan, Aimée Bessire

en

Reimagining Todd Webb’s Photographs of 1958 Colonial Africa

This paper charts the path of Todd Webb’s 1958 U.N.-commissioned photographs of colonial Africa across...

Clara Bouveresse

fr en

Agences photographiques

Les agences photographiques se sont développées avec la montée en puissance des magazines illustrés en...