Fabio Guilherme Poletto

pt en

Bossa Nova & Latin Jazz

The article investigates the phenomenon of Bossa Nova, its most relevant aesthetic traces and the...

Marcos Napolitano

pt en

Transatlantic Cartographies of Popular Music in the Americas

Popular music is frequently analyzed through national ‘musical genres,’ consecrated through specific...

Charlotte Bentley

en

Transatlantic operatic networks during the nineteenth century

This article explores operatic networks in the nineteenth century, with a focus on mobility between...

Anaïs Fléchet, Marcos Napolitano, Jean-Sébastien Noël

en

Music

Between the 18^th and the 21^st centuries, the musical transatlantic space has profoundly changed,...

Lætitia Corbière

fr

Les Strakosch, les Maretzek et les Grau : imprésarios moraves à New York

L’histoire du concert américain s'inscrit dans l'histoire des migrations. Vers 1850, de jeunes...

Marcia Tosta Dias, Cauê Martins

pt

Fonografia digital e circulação musical transatlântica

O artigo apresenta os principais processos envolvidos na produção e circulação da música gravada...

Pierre Fargeton

fr en

Ray Ventura, jazz and French chanson: an ambiguous Americanization

In the 1930s, Ray Ventura and his Collégiens established themselves as a model of French chanson,...

Michael J. Kramer

en

The Transatlantic Ballad of Alan Lomax

Studying vocal performance styles during his time in Europe during the 1950s, the US ethnomusicologist...

Manon Fabre

fr en

Ray Ventura and His Collegians: from imitation to a Franco-American hybrid

In the early 1930s, Ray Ventura and His Collegians recorded in Paris covers of hit songs from...

Catherine Rudent

fr

Les années yéyé : des chansons américaines sous-titrées ?

Au début des années 1960, les chansons yéyé sont réputées responsables d'une irruption massive de...