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Caio Gomes
pt en

Nueva Canción

During the 1940s and 1950s, the arts became a symbolic battlefield and ‘folklore’ was understood as a...

Fabio Guilherme Poletto
pt en

Bossa Nova & Latin Jazz

The article investigates the phenomenon of Bossa Nova, its most relevant aesthetic traces and the...

Marcos Napolitano
pt en

Transatlantic Cartographies of Popular Music in the Americas

Popular music is frequently analyzed through national ‘musical genres,’ consecrated through specific...

Anaïs Fléchet
pt fr en

Gilberto Gil

“I knew that music would be my language and that I would discover the world through it.” From the ...

Marc Lapprand
fr en

Boris Vian, inventor of America

During his short life, Boris Vian introduced American culture to France in his two favorite forms:...

Francisco Martinho
pt en

Amália Rodrigues in Africa

Amália Rodrigues (1920-1999) was responsible for the popularization of fado in her own country and in...

Charlotte Bentley
en

Transatlantic operatic networks during the nineteenth century

This article explores operatic networks in the nineteenth century, with a focus on mobility between...

Anaïs Fléchet, Marcos Napolitano, Jean-Sébastien Noël
en

Music

Between the 18th and the 21st centuries, the musical transatlantic space has profoundly changed,...

Emilia Chamone, Frederico Lyra de Carvalho, Carlos Sandroni
pt

Maracatus transatlânticos

Grupos típicos de Pernambuco, Brasil, os maracatus expressam através de música, dança e rituais,...

Lætitia Corbière
fr

Les Strakosch, les Maretzek et les Grau : imprésarios moraves à New York

L’histoire du concert américain s'inscrit dans l'histoire des migrations. Vers 1850, de jeunes...