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Michael J. Kramer
en

The Transatlantic Ballad of Alan Lomax

Studying vocal performance styles during his time in Europe during the 1950s, the US ethnomusicologist...

Manon Fabre
fr en

Ray Ventura and His Collegians: from imitation to a Franco-American hybrid

In the early 1930s, Ray Ventura and His Collegians recorded in Paris covers of hit songs from...

Catherine Rudent
fr

Les années yéyé : des chansons américaines sous-titrées ?

Au début des années 1960, les chansons yéyé sont réputées responsables d'une irruption massive de...

Sébastien Carney
fr

Le revival de la musique bretonne : une déclinaison locale des contre-cultures américaines

Au tournant des années des années 1960 et 1970, un mouvement revivaliste a produit en Bretagne ce que...

Marcos Napolitano
pt

“C’era un Ragazzo...Era un muchacho...Era um garoto...”: uma balada pop italiana e seus ecos...

“C’era un ragazzo che come me amava i Beatles e i Rolling Stones” gravada originalmente em italiano,...

Jean-Sébastien Noël
fr en

Luigi Nono: Revolutionary Experiences and American Networks

During his travels in Latin America and the United States, the composer and Communist activist Luigi...

Ghislaine Arielle Nzouwe Nganso
fr en

Makossa

Born in Douala in the 1950s, and strongly influenced by Ghanaian highlife music, Congolese rumba and...

Yaniv Arroua
fr en

Haute-Vienne on U.S. time: the Americanization of a French Province in the 1930s

When, how and at what pace did a French province become Americanized? This article traces the arrival...

Marc Lapprand
fr en

Boris Vian, Inventor of America

During his short life, Boris Vian introduced American culture to France in his two favorite forms:...

Chloé Huvet
fr en

From Europe to Hollywood, and Back. The Classic Hollywood Film Score

How did migrations of composers from Central and Eastern Europe to the United States shape the sound...