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Marcos Napolitano
pt en

Transatlantic Cartographies of Popular Music in the Americas

Popular music is frequently analyzed through national ‘musical genres,’ consecrated through specific...

Anaïs Fléchet
pt fr en

Gilberto Gil

“I knew that music would be my language and that I would discover the world through it.” From the ...

Charlotte Bentley
en

Transatlantic operatic networks during the nineteenth century

This article explores operatic networks in the nineteenth century, with a focus on mobility between...

Anaïs Fléchet, Marcos Napolitano, Jean-Sébastien Noël
en

Music

Between the 18th and the 21st centuries, the musical transatlantic space has profoundly changed,...

Emilia Chamone, Frederico Lyra de Carvalho, Carlos Sandroni
pt

Maracatus transatlânticos

Grupos típicos de Pernambuco, Brasil, os maracatus expressam através de música, dança e rituais,...

Marcia Tosta Dias, Cauê Martins
pt

Fonografia digital e circulação musical transatlântica

O artigo apresenta os principais processos envolvidos na produção e circulação da música gravada...

Michael J. Kramer
en

The Transatlantic Ballad of Alan Lomax

Studying vocal performance styles during his time in Europe during the 1950s, the US ethnomusicologist...

Marcos Napolitano
pt

“C’era un Ragazzo...Era un muchacho...Era um garoto...”: uma balada pop italiana e seus ecos...

“C’era un ragazzo che come me amava i Beatles e i Rolling Stones” gravada originalmente em italiano,...