Caio Gomes

pt en

Nueva Canción

During the 1940s and 1950s, the arts became a symbolic battlefield and ‘folklore’ was understood as a...

Fabio Guilherme Poletto

pt en

Bossa Nova & Latin Jazz

The article investigates the phenomenon of Bossa Nova, its most relevant aesthetic traces and the...

Marcos Napolitano

pt en

Transatlantic Cartographies of Popular Music in the Americas

Popular music is frequently analyzed through national ‘musical genres,’ consecrated through specific...

Anaïs Fléchet

pt fr en

Gilberto Gil

“I knew that music would be my language and that I would discover the world through it.” From the ...

Marc Lapprand

fr en

Boris Vian, inventor of America

During his short life, Boris Vian introduced American culture to France in his two favorite forms:...

Chloé Huvet

fr en

From Europe to Hollywood, and back. The Classic Hollywood Film Score

How did migrations of composers from Central and Eastern Europe to the United States shape the sound...

Francisco Martinho

pt en

Amália Rodrigues in Africa

Amália Rodrigues (1920-1999) was responsible for the popularization of fado in her own country and in...

Ghislaine Arielle Nzouwe Nganso

fr en

Makossa

Born in Douala in the 1950s, and strongly influenced by Ghanaian highlife music, Congolese rumba and...

Charlotte Bentley

en

Transatlantic operatic networks during the nineteenth century

This article explores operatic networks in the nineteenth century, with a focus on mobility between...

Anaïs Fléchet, Marcos Napolitano, Jean-Sébastien Noël

en

Music

Between the 18^th and the 21^st centuries, the musical transatlantic space has profoundly changed,...