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Jessica Gienow-Hecht
en

US Cultural Diplomacy

The Cold War was the heyday of state-orchestrated cultural diplomacy in the U.S., at a time when many...

Yannick Séité
fr en

Can One « Jazz » the French Language ?

The preface to Paul Morand’s collection Magie noire (1929) has been the subject of much discussion,...

Ida Soulard
fr

Anni Albers ou les textiles modernes entre deux continents

L'exil d'Anni Albers (1899-1994) – artiste, designer textile et éducatrice - aux États-Unis en 1933...

Laurence Cossu-Beaumont
fr en

Blanche and Alfred Knopf: Circulating Transatlantic Literature

In 1915, the Knopfs founded a publishing company focusing on translations of contemporary European...

Chloé Huvet
fr en

From Europe to Hollywood, and Back. The Classic Hollywood Film Score

How did migrations of composers from Central and Eastern Europe to the United States shape the sound...

Nicolas Le Guern
en

European Research in Kodak’s Early Years

For nearly a century, knowledge management by the Kodak company relied on the circulation of...

Pierre Fargeton
fr en

Ray Ventura, Jazz and French Chanson: an Ambiguous Americanization

In the 1930s, Ray Ventura and his Collégiens established themselves as a model of French chanson,...

Charlotte Servel
fr en

Soupault and USA: Cinema and Surrealist Poetry in the Roaring Twenties

In the early 1920s, French Surrealist Philippe Soupault saw in American film a new form of modernity...

Anaïs Fléchet, Florencia Dansilio, Clara Bouveresse, Ana Paula Cavalcanti Simioni
fr en

Women Artists across the Atlantic

This collection focuses on the women artists and mediators who have shaped the history of the...