Caio Gomes

pt en

Nueva Canción

During the 1940s and 1950s, the arts became a symbolic battlefield and ‘folklore’ was understood as a...

Fabio Guilherme Poletto

pt en

Bossa Nova & Latin Jazz

The article investigates the phenomenon of Bossa Nova, its most relevant aesthetic traces and the...

Marcos Napolitano

pt en

Transatlantic Cartographies of Popular Music in the Americas

Popular music is frequently analyzed through national ‘musical genres,’ consecrated through specific...

Anaïs Fléchet

pt fr en

Gilberto Gil

“I knew that music would be my language and that I would discover the world through it.” From the ...

Francisco Martinho

pt en

Amália Rodrigues in Africa

Amália Rodrigues (1920-1999) was responsible for the popularization of fado in her own country and in...

Anaïs Fléchet, Marcos Napolitano, Jean-Sébastien Noël

en

Music

Between the 18^th and the 21^st centuries, the musical transatlantic space has profoundly changed,...

Emilia Chamone, Frederico Lyra de Carvalho, Carlos Sandroni

pt

Maracatus transatlânticos

Grupos típicos de Pernambuco, Brasil, os maracatus expressam através de música, dança e rituais,...

Marcia Tosta Dias, Cauê Martins

pt

Fonografia digital e circulação musical transatlântica

O artigo apresenta os principais processos envolvidos na produção e circulação da música gravada...

Sébastien Carney

fr

Le revival de la musique bretonne : une déclinaison locale des contre-cultures américaines

Au tournant des années des années 1960 et 1970, un mouvement revivaliste a produit en Bretagne ce que...

Marcos Napolitano

pt

“C’era un Ragazzo...Era un muchacho...Era um garoto...”: uma balada pop italiana e seus ecos...

“C’era un ragazzo che come me amava i Beatles e i Rolling Stones” gravada originalmente em italiano,...