Caio Gomes

pt en

Nueva Canción

During the 1940s and 1950s, the arts became a symbolic battlefield and ‘folklore’ was understood as a...

Fabio Guilherme Poletto

pt en

Bossa Nova & Latin Jazz

The article investigates the phenomenon of Bossa Nova, its most relevant aesthetic traces and the...

Anaïs Fléchet

pt fr en

Gilberto Gil

“I knew that music would be my language and that I would discover the world through it.” From the ...

Marc Lapprand

fr en

Boris Vian, inventor of America

During his short life, Boris Vian introduced American culture to France in his two favorite forms:...

Anaïs Fléchet, Marcos Napolitano, Jean-Sébastien Noël

en

Music

Between the 18^th and the 21^st centuries, the musical transatlantic space has profoundly changed,...

André Egg

pt en

Concert Music in Brazil

Although Brazilian musical modernism had a strong nationalistic appeal, it was also a product of the...

Pierre Fargeton

fr en

Ray Ventura, jazz and French chanson: an ambiguous Americanization

In the 1930s, Ray Ventura and his Collégiens established themselves as a model of French chanson,...

Michael J. Kramer

en

The Transatlantic Ballad of Alan Lomax

Studying vocal performance styles during his time in Europe during the 1950s, the US ethnomusicologist...

Manon Fabre

fr en

Ray Ventura and His Collegians: from imitation to a Franco-American hybrid

In the early 1930s, Ray Ventura and His Collegians recorded in Paris covers of hit songs from...

Catherine Rudent

fr

Les années yéyé : des chansons américaines sous-titrées ?

Au début des années 1960, les chansons yéyé sont réputées responsables d'une irruption massive de...