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Yannick Séité
fr en

Can One « Jazz » the French Language ?

The preface to Paul Morand’s collection Magie noire (1929) has been the subject of much discussion,...

Pierre Fargeton
fr en

Ray Ventura, Jazz and French Chanson: an Ambiguous Americanization

In the 1930s, Ray Ventura and his Collégiens established themselves as a model of French chanson,...

Charlotte Servel
fr en

Soupault and USA: Cinema and Surrealist Poetry in the Roaring Twenties

In the early 1920s, French Surrealist Philippe Soupault saw in American film a new form of modernity...