Julie Verlaine, Didier Aubert

fr en

Visual Arts

In the field of visual arts, the study of transatlantic exchange has seen recent growth in the...

Monica Bravo

en

Modernist Photography in Mexico: Networks of Migration

As active participants in the Mexican cultural renaissance, Edward Weston, Tina Modotti and Manuel...

Charlotte Gould

fr en

The “Sensation” exhibition (London 1997-New York 2000): public scandals, private funding

When the “Sensation” exhibition travelled from London to New York in 1999, it seemed as though young...

Andrea Gremels

en

Wifredo Lam and Transversal Surrealism

Cuban-born artist Wifredo Lam was a key figure of Surrealism's transversal network in the 20^th...

Erin Nolan, Emily Voelker

en

Reading Across American and Ottoman Archives: Diplomacy and Photography in the Nineteenth...

Album exchanges between American and Ottoman powers (c.1880-1910) reveal a networked history of...

Jean-Charles Geslot

fr en

Artistic Education and Artist Training

The Atlantic is the setting for many exchanges in the education of artists, especially painters. Since...

Clara Bouveresse

en

Was “American” Photography a European Invention?

This paper explores the dialogue between European and “American” photography from the end of the 1930s...

Isabella Seniuta

fr en

When booksellers created the early photography market

Photography catalogues attest to a growing transatlantic trade between 1939 and 1961, when booksellers...

Carolin Görgen

en

Vienna to San Francisco via Chicago: Camera Club Exchanges in the 1890s

Elitist organizations such as the Linked Ring Brotherhood and the Photo-Secession were not the only...

Erin Nolan, Aimée Bessire

en

Reimagining Todd Webb’s Photographs of 1958 Colonial Africa

This paper charts the path of Todd Webb’s 1958 U.N.-commissioned photographs of colonial Africa across...