Fabio Guilherme Poletto

pt en

Bossa Nova & Latin Jazz

The article investigates the phenomenon of Bossa Nova, its most relevant aesthetic traces and the...

Marcos Napolitano

pt en

Transatlantic Cartographies of Popular Music in the Americas

Popular music is frequently analyzed through national ‘musical genres,’ consecrated through specific...

Anaïs Fléchet, Marcos Napolitano, Jean-Sébastien Noël

en

Music

Between the 18^th and the 21^st centuries, the musical transatlantic space has profoundly changed,...

Pierre Fargeton

fr en

Ray Ventura, jazz and French chanson: an ambiguous Americanization

In the 1930s, Ray Ventura and his Collégiens established themselves as a model of French chanson,...

Michael J. Kramer

en

The Transatlantic Ballad of Alan Lomax

Studying vocal performance styles during his time in Europe during the 1950s, the US ethnomusicologist...

Manon Fabre

fr en

Ray Ventura and His Collegians: from imitation to a Franco-American hybrid

In the early 1930s, Ray Ventura and His Collegians recorded in Paris covers of hit songs from...

Catherine Rudent

fr

Les années yéyé : des chansons américaines sous-titrées ?

Au début des années 1960, les chansons yéyé sont réputées responsables d'une irruption massive de...

Sébastien Carney

fr

Le revival de la musique bretonne : une déclinaison locale des contre-cultures américaines

Au tournant des années des années 1960 et 1970, un mouvement revivaliste a produit en Bretagne ce que...

Marcos Napolitano

pt

“C’era un Ragazzo...Era un muchacho...Era um garoto...”: uma balada pop italiana e seus ecos...

“C’era un ragazzo che come me amava i Beatles e i Rolling Stones” gravada originalmente em italiano,...

Jean-Sébastien Noël

fr en

Luigi Nono: Revolutionary Experiences and American Networks

During his travels in Latin America and the United States, the composer and Communist activist Luigi...