Caio Gomes

pt en

Nueva Canción

During the 1940s and 1950s, the arts became a symbolic battlefield and ‘folklore’ was understood as a...

Fabio Guilherme Poletto

pt en

Bossa Nova & Latin Jazz

The article investigates the phenomenon of Bossa Nova, its most relevant aesthetic traces and the...

Marcos Napolitano

pt en

Transatlantic Cartographies of Popular Music in the Americas

Popular music is frequently analyzed through national ‘musical genres,’ consecrated through specific...

Anaïs Fléchet

pt fr en

Gilberto Gil

“I knew that music would be my language and that I would discover the world through it.” From the ...

Francisco Martinho

pt en

Amália Rodrigues in Africa

Amália Rodrigues (1920-1999) was responsible for the popularization of fado in her own country and in...

Anaïs Fléchet, Marcos Napolitano, Jean-Sébastien Noël

en

Music

Between the 18^th and the 21^st centuries, the musical transatlantic space has profoundly changed,...

Emilia Chamone, Frederico Lyra de Carvalho, Carlos Sandroni

pt

Maracatus transatlânticos

Grupos típicos de Pernambuco, Brasil, os maracatus expressam através de música, dança e rituais,...

André Egg

pt en

Concert Music in Brazil

Although Brazilian musical modernism had a strong nationalistic appeal, it was also a product of the...

Michael J. Kramer

en

The Transatlantic Ballad of Alan Lomax

Studying vocal performance styles during his time in Europe during the 1950s, the US ethnomusicologist...

Manon Fabre

fr en

Ray Ventura and His Collegians: from imitation to a Franco-American hybrid

In the early 1930s, Ray Ventura and His Collegians recorded in Paris covers of hit songs from...