Ray Ventura and His Collegians: from imitation to a Franco-American hybrid
In the early 1930s, Ray Ventura and His Collegians recorded in Paris covers of hit songs from...
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North Atlantic
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Americanization through the Arts
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Can One « Jazz » the French Language ?
The preface to Paul Morand’s collection Magie noire (1929) has been the subject of much discussion,...
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Ray Ventura, Jazz and French Chanson: an Ambiguous Americanization
In the 1930s, Ray Ventura and his Collégiens established themselves as a model of French chanson,...