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Clara Bouveresse
en

Was “American” Photography a European Invention?

This paper explores the dialogue between European and “American” photography from the end of the 1930s...

Nicolas Hatzfeld
fr en

American working methods in Jacques Tati’s films and on French television

Jacques Tati’s films lampoon France’s fascination with the United States during the early postwar...

Charlotte Servel
fr en

Soupault and USA: cinema and Surrealist poetry in the Roaring Twenties

In the early 1920s, French Surrealist Philippe Soupault saw in American film a new form of modernity...