Marcelo Prioste

pt

O imaginário revolucionário no cinema de Santiago Álvarez Román

Santiago Álvarez Román (1919-1998) foi um cineasta cubano, diretor dos Noticieros ICAIC, cinejornal...

Michael J. Kramer

en

The Transatlantic Ballad of Alan Lomax

Studying vocal performance styles during his time in Europe during the 1950s, the US ethnomusicologist...

Juliette Dumont, Didier Aubert

pt fr en

Cultural Diplomacy from Propaganda to Soft Power

Either directly or through the non-governmental institutions and actors, states have also played a...

Mariana de Moraes Silveira

pt

Transatlântico

Mesmo em um cenário historiográfico dominado por olhares globais, o interesse no Atlântico persiste –...

Baptiste Mongis, Lucie Elgoyhen, Joana Sanchez

fr

Le théâtre communautaire argentin : réseaux et circulations

Le mouvement du théâtre communautaire argentin, né dans les années 1980, est aujourd’hui une référence...

Gabriela Pellegrino Soares, Richard Cándida Smith, Olivier Compagnon

en

Intellectuals

This section examines how the movements of thinkers and ideas around the Atlantic basin produced...

Jacques Pothier

fr

Littérature

Les littératures atlantiques ont été le véhicule privilégié de l'histoire culturelle du Monde...

Florencia Dansilio, Jean-Claude Yon

fr es en

Performing Arts

The Performing Arts section brings together articles examining the transatlantic exchange of objects,...

Fabien Archambault

pt fr en

Sport

Considered from the point of view of sport during a long twentieth century, the Atlantic space shows...

Marcos Napolitano

pt

“C’era un Ragazzo...Era un muchacho...Era um garoto...”: uma balada pop italiana e seus ecos...

“C’era un ragazzo che come me amava i Beatles e i Rolling Stones” gravada originalmente em italiano,...